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Lil Peep: “Kiss” (). Lil Peep's “Kiss” sounds like two or three songs staggering home together. The sampled guitars might be from a Modern. and their charisma and harmonies won over viewers. Little Mix's first single from their debut album, “Wings”, was an ideal opening statement for.

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The Jackson 5, "I Saw Mommy Kissing Santa Claus" (). Holiday Peak: No. 45 (Jan. ). Why It's a Gift. Lil Peep: “Kiss” (). Lil Peep's “Kiss” sounds like two or three songs staggering home together. The sampled guitars might be from a Modern. Ebina Models (XXX) Tiny Asian Charisma All Oiled Up Ebina Models Free Porn Pics. MIYA KHLIFA BREST ROMANCE KISS ROMANCE SEX VIDEO SXSI. TEXT AFTER SHOT PRO 2 TORRENT Knowledge on the Catalyst X switches after originally not Catalyst X-only switch you were looking as the plug-in architecture for compressing one and only your network. This is supported when you enable tell us what. Also, there are working directory is the user consent.

Our newsletter hand-delivers the best bits to your inbox. Sign up to unlock our digital magazines and also receive the latest news, events, offers and partner promotions. Pride is so much more than a month of parades and celebrations. No need to wait for the parade. This is your all-seasons, all-time-great Pride playlist — grab the aux cable and play it loud and proud. Listen to these songs on Amazon Music. In the s, when AIDS wiped out tens of thousands of those who danced to it, the song took on new layers of resonance.

Think again. Six years after scoring a No. The redundancy was the point. Michael was destroying his past, writing over it, melting it away with acid house. The lip-synching proclaimed: Take this song, anyone, everyone, it is yours. Though the less said about the Robbie Williams version, the better. When Michael came out, spectacularly, in , the pointed lyrics gained a whole new level of resonance. Nearly a quarter of a century later, this classic track from one of the most beloved gay icons of all time sounds no less imperative.

Listening to it feels like saluting the rainbow flag. Par for the course. By incorporating unapologetic LGBTQ themes into their sleek synth-pop hits, Bronski Beat were true pioneers — and this classic is their most transcendent moment. This song takes the pain of rejection and makes it danceable. Turns out any press is good press — eh, boys? The result? An absolute banger that also helped to move the dial forward. When the Village People got all Horace Greeley in , it was most likely a wink and a nod to the growing gay utopia of San Francisco.

No one expected her to become an Oscar-winning actress in the s — and no one expected her to score her biggest ever hit in the late s with this absolutely transcendent club banger. Do you believe in life after love? Hell yes! By the time Sarah Jessica Parker sang it on Glee, we were officially over it.

Minogue herself has said that the video is an homage to her gay audience; it features a human pyramid of pansexual smooching in the style of naked-installation artist Spencer Tunick. RuPaul, you are a goddess. Sashay, shantay! Shantay shantay shantay. An imperfect anthem, but an anthem nonetheless.

And quite right too. The copper mullet, the lightning bolt across the face — in , Bowie was at the peak of his androgynous alien phase, pushing Ziggy Stardust closer to the sun until he incinerated in a flash. A year before, in a Melody Maker interview, the glam rocker had declared himself gay. Though he later sloppily retracted the statement in a drug fog he was living on a rumoured diet of coke, milk and peppers at the time , it remained a momentous occasion in pop music.

Most gay dance anthems are packed with drama of both the lyrical and vocal variety. Okay, the gay experience is not all about empowerment and acceptance and rainbows and unicorns. And gay lead singer Marc Almond gave it a subtle but undeniable edge of queer insider knowledge.

After the California rapper caught flack for her overt materialism this year, she clarified that she demands riches of men more symbolically than literally. Xenia Rubinos]. Standing on the Corner have a way of capturing the wooziness of love. In its tenderest moments, the experimental jazz-indebted ensemble slows things down in order to disorient and emotionally disarm—the sonic equivalent of watching the world melt as your darling walks away upside-down and backward on the ceiling. She seems lost in the moment, like she has no one to please but herself.

Rick Ross]. But it works, locking listeners into one of the most curiously infectious hits of the year. British singer-songwriter Lianne La Havas would be forgiven for simply coasting on her rich voice and its impossibly slow vibrato. While her earlier releases were sometimes marked by nearly impenetrable abstractions, KiCK i feels just accessible enough to draw listeners into its maelstrom of chaos.

Her spare sound palette is in service of an insatiate self-analysis on fame, addiction, and feeling unrooted in life. As with all must-see serialized dramas, the guest stars are just as impressive as the main cast. Enter Pharrell, reciting a mantra about the circular clutches of modern capitalism in the laconic tone he once used to brag about his Gandalf hat ; enter Zack de la Rocha, erstwhile Rage Against the Machine frontman, incendiary and conspiratorial about wanting to rip those systems apart.

Take direction at your own risk, but nobody can doubt their commitment. Rage can be a powerful force for good when focused, but taming it is often difficult. On one level, the song is about letting loose with the feelings you keep pent up inside. From there, the turns it takes are so quietly strange, and strangely moving, that any further discussion of its lyrics might require a spoiler alert.

Against a spare acoustic guitar backdrop, in his own increasingly fatherly baritone, Bill Callahan tells a faintly supernatural story of parents and children, life and death, and the profound closeness and distance that can coexist between people. A decade ago, the New Orleans native Jay Electronica enchanted with a series of cryptic dispatches, then vanished in a cloud of smoke and British tabloids. This year saw the release of not only his long-lost debut—precipitated by a targeted leak—but also a replacement record, a restart of sorts, which paired him with Jay-Z.

The latter, A Written Testimony , often grapples with the pressure that drove Electronica from the spotlight. Perreo, as a genre, dance, and movement, has always been about power. No man is a whole movement. Not since Fela Kuti has one artist blended the contradictions, agonies, and triumphs of the continent with so much muscle.

In , the 45th president all but ruined the word, but now with the end of his reign, pussy can spend the rest of the s reclaiming its identity. Doja Cat]. Porridge Radio frontwoman Dana Margolin sings as if her insides are aflame, delivering lines with nearly feral bravado. The music illustrates the Sisyphean task of feeling better: Each time it reaches some measure of calm, the noise comes roaring back. The result feels slightly apocalyptic, weirdly funny, and right on time.

Not even in Michigan, the current rap capital of darkly funny shit talking, will you find anyone thinking more unholy thoughts than Packman. Sada Baby]. Steady yet anxious congas, a gentle flute, and bright keys meld into an affectingly soulful plea for a kinder world. The song is a groggy anthem for those days when counting the spots on your ceiling can feel like too much work.

The moody bassline delivers a melody to curl up in and brood, while the uptempo beat towards the end is a reminder that even loneliness ends. The unrelenting drums are a perfect match for the field recordings of glacial melt that Owens sprinkles in for ambience and texture, her shuffling hi-hats pinging across the tundra.

Thundercat has Dragon Ball Z tattoos all over his body. On the track, the L. The goal is out of sight, the means absurd. With the touring industry stalled in , it seemed like every rapper on Earth tried to make up for the loss with their very own digital deluxe reissue, padding out recent albums with extra tracks.

For the most part, though, quality lacked. Only one artist made his album better with its deluxe edition: Lil Baby, who added a number of great songs to My Turn. Baby plays the elder statesman on the quietly menacing track, rapping more ferociously than usual while letting Dugg take the lead.

Take chances, live life, and dance as much as possible. Earl Sweatshirt and Maxo have both made their homes in the rain-blurred realm where raps feel like unspoken thoughts, where beats resemble humming machinery a block away—a world of smudged loops, two or three notes long, punctured by diaristic jottings that flash like lightning. In another year, its layered guitar work and massive drums would have prompted massive pits and reckless stage dives at outdoor music festivals.

Hopefully, for Dogleg, that future involves kids doing literal backflips into much bigger crowds. All you can do is bask in the power of Flo Milli shit. She has a rare ability to connect the fragmented images passing by the window to what she feels inside: She shows us funnel clouds dropping from the sky, a slaughterhouse, and a shopping mall, and turns each into a signpost for her own confusion.

As the song builds, despair is tempered by a burst of energy that hints at survival. Pop music loves to memorialize doomed romances and terrible exes; the genre offers considerably less for failed friendships. It serves as the grand finale to an especially intimate folk song, hinting at the virtuosic talent he often keeps behind the scenes.

Set to walls of guitar and synth hooks, his lyrics contain a nod to the music that inspired him as a Black teenager interested in punk and indie, and to the unfulfilling jobs he worked for years to pay the bills before quitting to focus on performing and producing. Not any more than someone who manages to make jeans and a T-shirt look beautiful.

And it only takes her a minute. One thing nine months more or less alone reveals is whom to miss and whom to let go. Always ahead of his time, Shamir wrote an anthem for figuring this out before lockdown; lucky for us, he released it just as the loneliness really set in. In a year defined by dancing on your own, Shamir made it sound like self-actualization.

The real magic is the winking humility of the image in the mirror: a woman criticized endlessly for being too rich and too gauche who knows that living well is still the best revenge. So too will she. Like a gentle river, time passing slowly is better than it not passing at all.

Lil Uzi Vert just beamed down in a pair of Balenciaga jeans that cost more than your biweekly paycheck before taxes , and he is ready to rap. But time and time again, his efforts to rendezvous with his digital paramour are interrupted by real-life obstacles, from locked hotel rooms to the awkwardness of online intimacy.

Over beachy guitar riffs and bouncy hand claps, singer-bassist Emily Kempf expresses a desire to detach herself from the limitations of relationships, painting separation as a bittersweet opportunity for growth. The difference between independence and loneliness, Dehd suggest, is your relationship with yourself. Even this stylish opportunist has still got some charisma left.

Lil Durk]. You might consider this as kind of like one of those pop-punk covers of turn-of-the-millennium hits gone spectacularly right. But as the barbed guitar riffs and methodical bass plucks give way to a chorus made for a hot-pink dressing room montage scene played at 1. Tamara Lindeman sketches out a villain—the titular thief, silent and cool—before lifting the veil on larger forces at work: laws, banks, a rotten system that forces people to act in their own self-interest.

By the time "Robber" reaches its urgent climax, Lindeman has transformed a personal reckoning with societal failures into a reflective prompt for the listener. Can you blame yourself for ruthlessness if you were never given a choice? While she luxuriates in the heady, horny stuff of the verses—of perfect symmetry and blown candles—the beat throbs with lockstep control, less feeling love than meaning business. Bounding along atop a turbo-charged filter-house template, the song gleefully reanimates the ghosts of French touch and harkens back to the days when house producers regularly and rightfully landed in the Top Jazmine Sullivan has a gift for eulogizing relationships that are beyond saving, and even beyond possibility.

The vocal melody encompasses a range you could find under one hand on the piano, just a few notes, while her fingerpicking works its familiar, comforting magic. There were so very few reasons to break out in ecstatic dance this year, but Jayda G offered a sublime exception. Dry, papery beats, synchronized claps, and muffled chit-chat lend the atmosphere of a packed, pulsing nightclub—and the molasses-slow breakdown offers one of the best beat-drop payoffs of the year.

After months of inertia, Jayda G brought the dancefloor to us. Some might find it crass to describe death in the same words as a wiped hard drive, but, well, this is still Grimes. It opens with percussion that sounds like a rapping at the door, a wake-up call. After a raft of heavy breaths, barking dogs, and a pounding-heart bassline that convey the frazzled yet determined energy of finding your footing, the song ends with a twinkling flourish of keys—a playful ta-da underscoring the realization that a broken lock is just the beginning.

Their rich, fluttering harmonies pirouette over trap snares, finger snaps, and wobbling bass, all the while painting a portrait of a perfectly unbothered night out with friends. Meghan Remy wears the perfectionist swagger of American pop like a disguise. Her stylistic shifts might seem willfully evasive, but as she puts it on "4 American Dollars," "It's not personal, it's business.

Girls, which revels in the sounds of hard-fought freedom—gospel, blues, Springsteen—utilizing their easy familiarity as a Trojan horse for materialist critique. Inverting a quote from Martin Luther King Jr. Listen: U. If asked to pinpoint the primary emotional experience of quarantine, you might go with listlessness, or fatigue.

But neither quite nails it.

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Adolf Diguer - Sault Original Mix. Federico Monachesi - Unusual Suspects. Frezel - Powerplay. Fuscarini - Clouds. Sndr - Cocain. Gai Barone - Flash Original Mix. Guy Dillon - Simul Original Mix. Integral Bread - Diplodocus Original Mix. Ivo C - Connected. JCL - No Idea. Madloch - State Of Mind. Marc Depulse - Hyena. Marea Neagra - Between Us. Soul Fortune - Touch.

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Schansonjetka A. Ninka G. Koschechka V. Juravli A. Shout It Out Loud 6. Sure Know Something 8. Nowhere To Run Previously Unreleased 9. Partners In Crime Previously Unreleased Detroit Rock City Edit Version God Of Thunder Shandi Japanese Bonus Track Rock And Roll All Nite 2. Detroit Rock City 3. Love Gun 4. Creatures Of The Night remix 6. I Love It Loud remix 7. War Machine remix 8. Lick It Up 9. All Hell's Breakin' Loose Heaven's On Fire Thrills In The Night Who Wants To Be Lonely All Night Tears Are Falling Time: You Make Me Rock Hard 3.

Love Gun remix 4. Detroit Rock City remix 5. I Love It Loud remix 6. Deuce remix 7. Lick It Up 8. Heaven's On Fire 9. Love remix Strutter remix Beth With Eric Carr Vocal Tears Are Falling Rock And Roll All Night remix Shout It Out Loud remix Time: Crazy Crazy Nights 3. You Make Me Rock Hard 4. Love Gun Remix 5. Detroit Rock City Remix 6. I Love It Loud Remix 7. Reason To Live 8. Love Strutter Remix Beth Black Diamond - 3.

Hard Luck Woman - 4. Sure Know Something - 5. Deuce - 7. Goin' Blind - 8. She - Shout It Out Loud live '96 - Love - Strutter - Hard Luck Woman - 3. Deuce - 5. Do You Love Me - 6. Love - 8. Christine Sixteen - 9. Flaming Youth - Two Sides Of The Coin - Shout It Out Loud live '96 - Time: Detroit Rock City - 4. Hard Luck Woman - 6.

Love Gun - 9. Deuce - Rock And Roll All Night - Shock Me - C'Mon and Love Me - 6. Rock and Roll All Nite live - 7. Detroit Rock City remix - 8. Shout It Out Loud - 9. I Stole Your Love - Gene Simmons — bass guitar 1—15,17—19,21 , lead vocals 2,6,8,11,14,18,21 Ace Frehley — lead guitar 1—4,6—17 , rhythm guitar 16 , lead vocals 16 Peter Criss — drums 1—15 , lead vocals 9,12 with Vinnie Vincent — lead guitar Bruce Kulick — lead guitar 20— Eric Carr — drums 18—20 , backing vocals Eric Singer — drums Anton Fig — drums 16—17 not credited, but does appear Dick Wagner — acoustic guitar 9.

Ryan Jackson — bass guitar Vini Poncia — keyboards and backing vocals Nothin' to Lose - 3. Black Diamond - 6. Got to Choose - 7. Parasite - 8. Hotter Than Hell - 9. C'mon and Love Me - Anything For My Baby - Rock Bottom [Live] - Cold Gin [Live] - Rock and Roll All Nite [Live] - King of the Night Time World - Love - 3. I Stole Your Love - 5. Christine Sixteen - 7.

Shock Me - 8. Makin' Love [Live] - 9. God of Thunder [Live] - Tonight You Belong to Me - Radioactive - Don't You Let Me Down - Shandi - Talk to Me - A World Without Heroes - Nowhere to Run - I'm a Legend Tonight - Time: God Of Thunder - 2. Almost Human - 3. Christine Sixteen - 6. Rock And Roll All Nite - 8. Cold Gin - 9. Parasite - Larger Than Life - Love 'Em And Leave 'Em - Charisma - Time: Love Gun - 3.

Take Me - 4. Strutter - 5. C'mon And Love Me - 6. Hotter Than Hell - 7. All American Man - Speed - New York Groove - 2. Shock Me - 3. Rocket Ride - 5. Snow Blind - 6. Speedin' Back To My Baby - 7. Talk To Me - 8. What's On Your Mind - 9. Rip It Out - Save Your Love - Hard Times - Dark Light - Into The Void - Time: Hard Luck Woman - 2. Baby Driver - 3. Hooligan - 4. I Can't Stop The Rain - 6. Black Diamond - 7. Mainline - 8. Don't You Let Me Down - 9. Dirty Livin' - Getaway - Strange Ways - Easy Thing - Hotter Than Hell - 4.

C'mon And Love Me - 5. Rock And Roll All Nite live - 6. Detroit Rock City - 7. Hard Luck Woman - 9. Creatures Of The Night- 2. I Love It Loud - 3. All Hells Breakin Loose - 5. Heavens On Fire - 6. Thrills In The Night - 7. All Night - 9. Crazy Crazy Nights - Reason To Live - Hide Your Heart - Forever - Time: Unholy - 3.

Domino - 4. Hate - 5. Childhood's End - 6. I Will Be There - 7. Comin' Home Live Unplugged - 8. Got to Choose Live Unplugged - 9. Psycho Circus - Into The Void - CD1 Nothin' To Lose - 2. Love Theme From Kiss - Time: Kissin' Time - 2. Nothin' To Lose - Time: Hotter Than Hell - Time: Rock And Roll All Nite - 2. Getaway - Time: C'mon And Love Me - 2. Shout It Out Loud - 2. Sweet Pain - Time: Flaming Youth - 2. God Of Thunder - Time: Beth - Time: Beth - 2.

Detroit Rock City - Time: Speed - Time: Love - 2. Take Me - Time: Christine Sixteen - 2. Shock Me - Time: Love Gun - 2. Hooligan - Time: Shout It Out Loud Live - 2. Nothin' To Lose Live - Time: Rocket Ride - 2. Tomorrow And Tonight Live - Time: Shock Me Live - Time: Hold Me Touch Me - 2. Goodbye - Time: Snow Blind - Time: Radioactive - 2. Don't You Let Me Down - 2.

You Matter To Me - 2. Hard Times - Time: Sure Know Something - 2. Dirty Livin' - Time: Shandi - 2. She's So European - Time: Tomorrow - 2. Naked City - Time: A World Without Heroes - 2. Dark Light - Time: I Love It Loud - 2.

Danger - Time: Nothin' to Lose Kiss - 2. C'mon and Love Me Dressed to Kill - 4. Beth Destroyer - 7. Reputation [Demo] - 9. Christine Sixteen Love Gun - Strutter '78 Double Platinum - You Matter to Me Peter Criss - Radioactive Gene Simmons - New York Groove Ace Frehley - Shandi Unmasked - Down on your Knees Killers - Heaven's on Fire Animalize - Time: Tears are Falling Asylum - 2.

Reason to Live Crazy Nights - 3. Forever [Remix] Hot in the Shade - 5. Psycho Circus Psycho Circus - Deuce [Live] Kiss Instant Live - Modern Day Delilah Sonic Boom - Cold Gin [Live] Alive 35 - Hell or Hallelujah Monster - Hell or Hallelujah [Live] Japanese only bonus track - Time: Samurai Son Us Mix - 2.

Rock And Roll All Nite - 3. I'm A Legend Tonight - Heaven's On Fire - Tears Are Falling - Modern Day Delilah - Hell Or Hallelujah - Time: Detroit Rock City - 6. Beth - 7. Lick It Up - 8. Unholy - Hard Times - 3. I Love It Loud Live - 4. Partners In Crime - Time: God Of Thunder - 3. Reason To Live - 2. Thief In The Night - 3.

Tears Are Falling - 4. Crazy Crazy Night - Time: Forever Remix - 2. Nowhere To Run - 4. Heaven's On Fire - Time: Hide Your Heart - 2. Boomerang - Time: Junior's Gone Wild perfomed by "King's X" - 3. Shout It Out perfomed by "Slaughter" - Time: Domino Radio Edit - 2. Domino Radio EQ - Time: I Just Wanna - 3. I Just Wanna - Time: Strutter - Time: Unholy Radio EQ - 2. Creatures Of The Night - 4. War Machine - 5. I Still Love You - Time: Strutter Demo - 2.

I Was Made for Lovin' You - 3. God of Thunder - 4. God Gave Rock 'n' Roll to You - 5. Deuce - Time: Psycho Circus Edit 2. Raise Your Glasses Collectors Version - 3. Psycho Circus LP Version - 4. We Are One - 2. In Your Face - Time: Hell Or Hallelujah Radio Edit - 2. Yume No Ukiyo Ni Saitemina - 2. Rock and Roll All NIte - 3. Yume no Ukiuyo ni Saitemina off vocal - 5. Rock and Roll All Nite off vocal - 6.

Rock And Roll Party - Then She Kissed Me - Time: Much Too Soon Demo - 2. Plaster Caster Demo - 3. Reputation Demo - 4. Love Gun Teaching Demo - 5. Love Gun Demo - 6. Gene Simmons Interview - 7. Tomorrow and Tonight Instumental Demo - 8. Love Gun Live - Christine Sixteen Live - Fanfare - 2. Just A Boy - 3.

Odyssey - 4. Only You - 5. Under The Rose - 6. Dark Light - 7. The Oath - 9. Blackwell - Saint And Sinner - 3. Killer - 9. Rock Bottom intro - She remix - Strutter Demo Version - 2. Deuce Demo Version - 3. Keep Me Waiting Wicked Lester - 4. She Wicked Lester - 5. Let Me Know Demo Version - 7. Stop, Look To Listen Demo - 9.

Leeta Demo - Acrobat Live - Firehouse Demo Version - Ladies In Waiting - C'mon And Love Me Live - 2. Rock Bottom Live - 3. Cold Gin Live - 4. Watchin' You Live - 5. Doncha Hesitate Demo - 6. Mad Dog Demo - 7. God Of Thunder Demo Version - 8. Bad, Bad Lovin' Demo - Speed Demo Version - I Want You Soundcheck Recording - Love Gun Demo Version - Love Is Blind Demo - Time: Larger Than Life - 4. Tonight You Belong To Me - 6.

New York Groove - 7. Radioactive Demo Version - 8. Talk To Me Live - The Oath - Nowhere To Run - Creatures Of The Night - War Machine - I Love It Loud - Time: Lick It Up - 2. All Hell's Breaking Loose - 3.

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